Light Quilt is a projection-mapped quilt, exploring the mathematical relationships of both patchwork quilting traditions and optical art. It consists of modular cardboard blocks and a projection-mapped generative animations which draw from traditional quilt block patterns and lighting simulations.

The projected animations highlight the physical geometry of each block, as well as the hidden geometries within the piece as a whole. The interplay of static forms and dynamic projections creates moments of visual harmony and ambiguity.

Shown during SPAM New Media Festival 2025 at Georgetown Steam Plant in Seattle, WA.

In his essay Century-Scale Storage, Maxwell Neely-Cohen investigates the technical and social challenges of long term digital storage, attempting to answer the question, “if you had to store something for 100 years, how would you do it?”

To accompany the themes of the essay, we created procedurally-generated interstitial animations that play with motifs of digital decay, digital storage mediums, and physical artifacts. In addition to developing original animations, we also sourced archival images interspersed throughout the text.

Edited by Clare Stanton and published by the Library Innovation Lab at Harvard Law School.

Nominated for a Webby Award, Best Individual Editorial Feature – Ind/Brand/Org.

Co-curated with Max Cerami, Strange Time is an exhibition of novel timekeeping that was shown at SOIL Gallery in Seattle, WA. The accompanying website includes details of each piece and a lightly interactive map of the gallery space.

Postcard and hand-lettered exhibition title design by Allison Chan.